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CURRENTS: The Collected Writings of Jessica Williams

TABLE OF CONTENTS

How my playing is changing
Pianos and ways to play them
Choosing my instrument
Hypothyroidism...a walk in the dark
60, The Best B-day Ever
Wake Up
A Dream I Had
The Next Big Step
Trying to Help
Kurt Vonnegut Jr
Doug Ramsey
Glenn Gould
Jazz is NOT dead
Enemies of Freedom
Fantasia
Ali For President
Forgiveness and Freedom
i me mine
The Leroy Vinnegar Room
The Three Rules of Everything
My view
I'm in a dream
Digital Portraits
Drawings of mine
My poetry
More poems
Available to the moment
Learning by Doing
Illness as teacher
The Garden
Art by Tuv, Nerdrum, Matta
Jessica, why don't you come here and play?
Our attention
The Static People
God is such a big word
If you want Paradise
Following the Silence
Following the lines
If only
Beginnings
Puppy Days
People ask me
A Musician for all Seasons
Ten Things
Great moments in Pianistic History
Resting up
My three nights with Tony Williams
Life as Contest
Mary Lou Williams
Doing Jersey with Philly Joe
Stream of Consciousness #1
Stream of Consciousness #2
Where's my sun? Where's my health food?
Calm Mind
Intimacy
My Work
As close as I get to a "mission statement"
Build your own web site
Are we nuts, or what?
The Fantom
The light, the dark
A few recent awards from JazzTimes
Like Minds
My new band
Eulogy for Leroy Vinnegar
My trio at Yoshi's
Long live Elvin Jones
Doing the hang with Dexter Gordon
Coltrane's light
Epidemic of Dishonesty
What's good, what's not
Watson
A Little Dog
A NEW Little Dog
Truth and Lies
Women Musicians
Music for powerful times
My poetry
More poems
A friend writes a book
Jazz and codes of conduct
Playing for all the right reasons
Miles
Monk
My favorite things
The emotional plague
Battle of the mini-titans
About playing, about being
About challenges, gifts
About performing
We the Living
Senior discounts, Fujitsu 100 Cold, Dead Fingers, more
Links-i-like
Links-i-like reloaded
Jessica reviews Jessica
Things to do, tunes to play
Things we would rather forget need to be remembered
The Discriminating Gatekeepers
Taking responsibility for the Music
Age
Beliefs
Old News
Mel Brooks has a nice face
I Have a Dream
About CURRENTS
Prayer
Legal, copyright

Links:

- Jessica Williams
- Buy JWCDs Here
- On WikiPedia
- On Napster
- On eMusic
- On iTunes
- Audio/Video
- The JW Blog
- More Music & Art
- Glenn Gould
- Gould Videos
- Odd Nerdrum
- Jan Ove Tuv
- Roberto Matta
- Virtual Dali
- Rijkmuseum
- Validators
- Valid XHTML
- Valid CSS

 

Creative Commons

CURRENTS

Women Musicians

Currents

Thank you to jazmin for the wonderful community service provided by part of this compilation. If you desire inclusion on this linklist, please let me know

Patti Wicks - a great pianist and fine singer, Patti is world-class and should be heard around the world by everyone who loves good music. Patti is truly world class.

Gail Weisman - it doesn't have to be stone jazz to be stone hip

Ayako Shirasaki - She is one amazing musician, and an incredible pianist and composer. One of the greatest pianists I've ever heard! Don't dare miss her

Jessica Jones - Excellent saxophonist and composer, a fine friend, and a great musician

Sarah Manning - this east- coast born saxophonist and composer studied with one of my musical lights, Yusef Lateef (see and hear my Song for Yusef, available only here) and plays the horn with conviction, fire, determination, and the kind of 'knowing certainty' that usually only comes to players in their middle and later years. She's a player to listen to, starting right now. Presently working with her own band which currently features the great bassist John Wiitala, who was my esteemed musical associate for a number of years, Sarah Manning has the flame, the passion, the gift. sarahmanningmusic.com/

Lisa Marie Baratta - Saxophonist, singer and songwriter

Lady Bianca - Singer, fine pianist and songer writer

Deanna Witkowski - A wonderful pianist with a great web site and a strong sacred committment to her art and her beliefs. Continually growing and changing, she remains a determined and original force in the music.

Jayn Pettingill - Saxophonist, woman of letters, chronicler of women's musical herstory, and very advanced musician

Carolyn Brandy - Percussionist, composer, performer and teacher

Mad Duran - Tenor, alto, and soprano saxophones, flute and alto flute

Madeline Eastman - Vocalist and educator

Echo Beach - Tropical jazz percussion

Mimi Fox - Great guitarist! Really GREAT!

Claudia Gomez - Singer, songwriter, jazz and latin

Jennifer Mir - Clarinet, tenor sax, piano, organ, sitar and vocals

Michelle Latimer - Trumpet and Vocals

Rebeca Mauleón - Afro-Caribbean pianist, composer, arranger, author and educator

Kitty Margolis - Fine vocalist and musician. One of a kind!

Susan Muscarella - Pianist and director of The Jazz School; a great talent and a great educator.

Nora Nausbaum - Bach to Bebop

The Oakland Jazz Choir

Pacific Empire Chorus - Women's performance and competition chorus

RAD - Keyboardist, vocalist and songwriter

Saya - Pianist and composer

Sovoso - a cappella jazz, gospel, world and R&B

Lori Stotko - Piano and trombone

Dee Spencer - Pianist, vocalist and music consultant

Cathy Walkup - Vocalist, musician

Paula West - Vocalist, musician

Yehudit - Electric violin

Please submit links, stories, special events about women musicians, artists, poets. Send in a text-based e-mail: jessica at jessicawilliams dot com

 

Women Masters

Recently I found a web site devoted to art and music made by women. It is called www.earlywomenmasters.net/item and it covers quite a bit of territory. If you can play MIDI files on your computer (you most likely can) there's a wonderful page literally crammed full of piano-roll midi files going back centuries. Visit their web site to enjoy the many incredible musical gems, written by women that you've probably never heard of before. Silenced by time, but silent no more.

 

Women of Genius

As women had been largely excluded from participation in instrumental jazz for many years, their chances to become innovators and contributors remained small until very recently.

Pop music prospers in part because it speaks to a wide range of people through a wide range of voices. It's the variety of input, from a variety of different people and cultures, that keeps any art form alive and thriving.

If jazz is going to become healthy and vibrant into the 21st century, it needs to reject the elitist views that may have reflected  American Culture fifty years ago, but have no place in modern civilization. These polarities never served us, merely diminished our freedom to grow creatively and spiritually.

As true art is a mirror of our times and our social fabric, an art-form that rejects freedom of active participation for any group or individual is doomed to extinction.

All of our chosen 'geniuses' (in every serious field of achievement) have been men, as decreed by a consensus that holds the belief that women are perhaps incapable of 'genius.' (Edward Teller, the 'genius', was a guy that invented the H-bomb. What a genius, what a guy! Thanks a lot, Ed...)

I question the word 'genius' itself, as it presupposes some sort of Zarathustra-like ubermensch that is not really human.

Actually, our greatest contributors are totally human. And many have been women.

Georgia O'Keefe, Agnes Martin, Louise Nevelson, Helen Frankenthaler, all great artists; they certainly qualify as geniuses and great contributors to our art and our culture.

Women of achievement are sometimes stigmatized by their strivings to reach full potential.

In this music, Marian McPartland, Mary Lou Williams, Joanne Brackeen, Virginia Mayhew, Ingrid Jentzen, Jane Ira Bloom, Carla Bley, Alice Coltrane, Cindy Blackman, and many many others are proof that we are fully and richly capable of making important and lasting cultural contributions; and perhaps, if left  free to strive, to attain the dubious distinction of being called a 'genius.'