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CURRENTS: The Collected Writings of Jessica Williams

TABLE OF CONTENTS

How my playing is changing
Pianos and ways to play them
Choosing my instrument
Hypothyroidism...a walk in the dark
60, The Best B-day Ever
Wake Up
A Dream I Had
The Next Big Step
Trying to Help
Kurt Vonnegut Jr
Doug Ramsey
Glenn Gould
Jazz is NOT dead
Enemies of Freedom
Fantasia
Ali For President
Forgiveness and Freedom
i me mine
The Leroy Vinnegar Room
The Three Rules of Everything
My view
I'm in a dream
Digital Portraits
Drawings of mine
My poetry
More poems
Available to the moment
Learning by Doing
Illness as teacher
The Garden
Art by Tuv, Nerdrum, Matta
Jessica, why don't you come here and play?
Our attention
The Static People
God is such a big word
If you want Paradise
Following the Silence
Following the lines
If only
Beginnings
Puppy Days
People ask me
A Musician for all Seasons
Ten Things
Great moments in Pianistic History
Resting up
My three nights with Tony Williams
Life as Contest
Mary Lou Williams
Doing Jersey with Philly Joe
Stream of Consciousness #1
Stream of Consciousness #2
Where's my sun? Where's my health food?
Calm Mind
Intimacy
My Work
As close as I get to a "mission statement"
Build your own web site
Are we nuts, or what?
The Fantom
The light, the dark
A few recent awards from JazzTimes
Like Minds
My new band
Eulogy for Leroy Vinnegar
My trio at Yoshi's
Long live Elvin Jones
Doing the hang with Dexter Gordon
Coltrane's light
Epidemic of Dishonesty
What's good, what's not
Watson
A Little Dog
A NEW Little Dog
Truth and Lies
Women Musicians
Music for powerful times
My poetry
More poems
A friend writes a book
Jazz and codes of conduct
Playing for all the right reasons
Miles
Monk
My favorite things
The emotional plague
Battle of the mini-titans
About playing, about being
About challenges, gifts
About performing
We the Living
Senior discounts, Fujitsu 100 Cold, Dead Fingers, more
Links-i-like
Links-i-like reloaded
Jessica reviews Jessica
Things to do, tunes to play
Things we would rather forget need to be remembered
The Discriminating Gatekeepers
Taking responsibility for the Music
Age
Beliefs
Old News
Mel Brooks has a nice face
I Have a Dream
About CURRENTS
Prayer
Legal, copyright

Links:

- Jessica Williams
- Buy JWCDs Here
- On WikiPedia
- On Napster
- On eMusic
- On iTunes
- Audio/Video
- The JW Blog
- More Music & Art
- Glenn Gould
- Gould Videos
- Odd Nerdrum
- Jan Ove Tuv
- Roberto Matta
- Virtual Dali
- Rijkmuseum
- Validators
- Valid XHTML
- Valid CSS

 

Creative Commons

CURRENTS

Choosing to buy a Yamaha Grand

Currents

I bought my new piano from Classic Pianosnew window in Portland, Oregon. I'll be playing a concert there on the 21st of June, 2008. My new piano is a 7'6" Conservatory Concert Grand, refitted with Renner Blue Hammers, and is a 1984 Yamaha, adjusted to my specifications. Notice my chair, cut to spec, 14" off the floor. Click each thumbnail for a large photo in a new tab or window.

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Not a Steinway, you may whisper. Sorry, folks, Steinway has been a lot sloppy lately, but I'll say no more about their fine company and their wonderful instruments. Let's not forget that Gould himself chose a Yamaha over all other models and makes of pianos to 'replace' his irreplaceable CD318. And the great pianist Chick Coreanew window plays a Yamaha, as does the piano genius Alan Broadbentnew window

I played it all day today and there is nothing I can say right now. It is my love, my lost love. It is come home to me. It is mine forever. I have never loved a piano. This one I fell in love with almost the minute I played it. It took about four minutes, actually. I notice that already my playing is changing. My lines are cleaner and speedier. I raised the chair one inch. I want that machine-gun like clarity that can only come when the dampers seat immediately and the hammers and action are even and regulated. Even now, without a tuning or a touch-up, having just been moved 150 miles, it sounds so wonderful, and feels like that too.

May 22, 2008: The Chair has a piano in front of it.

 

In early May of 2008 I sold the Knabe (below)

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Above, the 7-foot Knabe, my "old" piano, is now Robbie Cribbs' new piano. It appears here in his own recording studio. I sold the Knabe to a man who fully deserves it, will use it for good purposes, and is a wonderful spiritual light. Robbie Cribbs did the videos of my 60th birthday party. He lives on Whidbey Island in the Great Northwest, and has a recording studio. My piano will be played by many (hopefully) fine pianists, and also by his son Liam. He's devoted a few full pages to my pianonew window, and I am honored.

 

Below, Classic Pianosnew window is where I bought my new piano.

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As Gould remarked to his technician, "Verne, I have never played a piano with such even touch and clarity of line." He was speaking of a Yamaha Grand. He played so fast that, at times, no piano could keep up with him. Only his Steinway CD318 and the Yamaha (almost the exact same model as mine, Renner hammers and all) that he bought later in life, came close.

I strongly suggest that anyone on the West Coast, seeking a masterful instrument, visit Classic Pianosnew window in Portland, Oregon. They carry Baldwins and Steinways, Yamahas and Walthers. Great pianos and great technicians. A mind-boggling experience for me, in that they made it easy and fun. Still "recovering" from hypothyroidism, I wasn't up to too much energy expenditure, but Rick and Lisa and Peggie made it fun. And Esther helped by playing for me while I listened. A great crew. It used to be called Moe's Pianos. To those of us who know and dig Moe, it still is.

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I have found my CD318.