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CURRENTS: The Collected Writings of Jessica Williams

TABLE OF CONTENTS

How my playing is changing
Pianos and ways to play them
Choosing my instrument
Hypothyroidism...a walk in the dark
60, The Best B-day Ever
Wake Up
A Dream I Had
The Next Big Step
Trying to Help
Kurt Vonnegut Jr
Doug Ramsey
Glenn Gould
Jazz is NOT dead
Enemies of Freedom
Fantasia
Ali For President
Forgiveness and Freedom
i me mine
The Leroy Vinnegar Room
The Three Rules of Everything
My view
I'm in a dream
Digital Portraits
Drawings of mine
My poetry
More poems
Available to the moment
Learning by Doing
Illness as teacher
The Garden
Art by Tuv, Nerdrum, Matta
Jessica, why don't you come here and play?
Our attention
The Static People
God is such a big word
If you want Paradise
Following the Silence
Following the lines
If only
Beginnings
Puppy Days
People ask me
A Musician for all Seasons
Ten Things
Great moments in Pianistic History
Resting up
My three nights with Tony Williams
Life as Contest
Mary Lou Williams
Doing Jersey with Philly Joe
Stream of Consciousness #1
Stream of Consciousness #2
Where's my sun? Where's my health food?
Calm Mind
Intimacy
My Work
As close as I get to a "mission statement"
Build your own web site
Are we nuts, or what?
The Fantom
The light, the dark
A few recent awards from JazzTimes
Like Minds
My new band
Eulogy for Leroy Vinnegar
My trio at Yoshi's
Long live Elvin Jones
Doing the hang with Dexter Gordon
Coltrane's light
Epidemic of Dishonesty
What's good, what's not
Watson
A Little Dog
A NEW Little Dog
Truth and Lies
Women Musicians
Music for powerful times
My poetry
More poems
A friend writes a book
Jazz and codes of conduct
Playing for all the right reasons
Miles
Monk
My favorite things
The emotional plague
Battle of the mini-titans
About playing, about being
About challenges, gifts
About performing
We the Living
Senior discounts, Fujitsu 100 Cold, Dead Fingers, more
Links-i-like
Links-i-like reloaded
Jessica reviews Jessica
Things to do, tunes to play
Things we would rather forget need to be remembered
The Discriminating Gatekeepers
Taking responsibility for the Music
Age
Beliefs
Old News
Mel Brooks has a nice face
I Have a Dream
About CURRENTS
Prayer
Legal, copyright

Links:

- Jessica Williams
- Buy JWCDs Here
- On WikiPedia
- On Napster
- On eMusic
- On iTunes
- Audio/Video
- The JW Blog
- More Music & Art
- Glenn Gould
- Gould Videos
- Odd Nerdrum
- Jan Ove Tuv
- Roberto Matta
- Virtual Dali
- Rijkmuseum
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Creative Commons

CURRENTS

The Garden

Currents

 

"And we have to find our way back to the Garden..."

Joni Mitchell is being intervieweditem. And Katie Couric says, "You've had such success, but you have such anger and bitterness for the Music Industry".

JoniThis is out of nowhere: they've been talking about art and family and songwriting and Canada, and Joni just looks at her.

She's been a complete, utter, continuously smiling and fastidiously compliant golden girl up to this point.

Anger? Rage?

What was that about?

I hear that too. And I'm not even halfway mad at anything or anyone aymore ... most days. I hear it on the phone, I read it in a review, I hear it said about me, to me.

It's a function, a categorical result of our test-tube culture. They put stuff in a bottle or a box and they think they have a "product" and then they sell sell sell it until it makes everyone sick.

The person becomes a product and products don't have feelings.

Joni says "Music now, it's about making a jingle, monochromatic, into which they can insert as many commercials as they want to, anywhere they want." Then she says she is "not in her time"... that this time is not for her.

She says she feels "useless" and "out of place."

She has a new album coming soon but she stopped making Music for a good while and just painted, just slept, just stayed quiet, just looked at the scenery.

She says the Music Business is corrupt, exploitive, shallow, greedy. I love her Music and her message and her honesty and her refusal to be what they want her to be.

She is lost sometimes and not afraid to paint about being lost, not afraid to sing or play about it. We are not always buoyant and filled with the joy of our youth. They were crazy days, soul days, good old rock'n'roll days.

These days are about stocks and bonds and sleeper cells and getting things set straight with a dozen bureaucrats a week, about fico scores and Homeland Security and lots of spam emails for drugs drugs drugs for things like insomnia, anxiety, and men's "e.d." Young men. These days are about SUV's and war in the sand and stand-up comics having public nervous breakdowns.

Anyone who's really getting older knows that not every day is a good one.

There are diamonds and there are boulders, rockslides, there are roses and then the thorns, scratching your skin, scarring your skin, scarring your soul.

You get through like a runner. You hit the road, you almost die, and then you hit the wall and you fly.

Even at 90 you can fly.

But you need to rest, longer and longer each time.

After a long rest, you get a golden day. It's a day when your joints don't hurt, a day when you feel like putting Bitches Brew or Amandla or Highway 61 Revisited on the stereo and turning up the volume.

You feel like hot dogs and cotton candy but settle for free-range chicken-burgers and Rice Dream.

You wake up and say, "I got lost. And I wasn't HERE, for all that time. Today, I'm alive, and awake, and in my body, I'm HERE, and I CAN'T be angry or full of rage because it feels too good to be FREE of anger and rage. I won't ever ever let those evil forces ever take me away from the Garden again."

Next day, you find yourself explaining to a tech-support person in India who works for the phone company in America that you don't have 97 phones in British Honduras. You find yourself with a 10am appointment with the dentist, and you find yourself reading a slick brochure about tooth implants and why you're not a good candidate for them. You find yourself in a food mart, looking for something that was grown without gene-splicing.

We are like that.

We are one person.

We are all people.

There is tragedy and there is infinite joy.

Those who won't risk it never get to taste it. It's like Joni, it's like me. It's like you too.

It's life in and out of the Garden.

It's a TRIP.